This Axel Hedman-designed brownstone in the Stuyvesant Heights Historic District contains a jaw-dropping amount of original detail, including fretwork, a window seat, seven mantels, three working gas fireplaces, fancy plasterwork and a passthrough.
This Neo-Grec brownstone on Halsey Street in Stuy Heights has been thoroughly updated with new systems yet retains some elegant reminders of its 19th century origins.
The judges have ruled, and the 23rd annual Greenest Block in Brooklyn contest winner is Bed Stuy's Stuyvesant Avenue between Bainbridge and Chauncey streets.
Brooklyn, one building at a time.
As the automobile’s importance grew, sometimes a plot of land was more important as a garage than as dwellings. Here’s such a case from 1916.
Address: 406-410 MacDonough Street
Cross Streets: Stuyvesant Avenue and Malcolm X Boulevard
Neighborhood: Stuyvesant Heights
Year Built: 1916
Architectural Style: Early-20th-century garage
Architect: Eric O. Holmgren
Other works by architect: 122-134 Brooklyn Avenue in Crown Heights North; Evening Start Baptist Church (former LDS Chapel) on Gates Avenue in Bedford Stuyvesant; 189 Ocean Avenue in Prospect Lefferts Gardens; theaters in Williamsburg; Alku Toinen Cooperative Apartments in Sunset Park
Landmarked: Yes, part of Stuyvesant Heights Expansion Historic District (2013)
In 1905, the first automobile show in Brooklyn took place at the 23rd Regiment Armory, at the corner of Bedford and Atlantic avenues. It was the beginning of Brooklyn’s love affair with the automobile.
Brownstoner columnist Suzanne Spellen and commenter and fellow architectural history expert Morgan Munsey will lead a tour of the Stuyvesant Heights Expanded Historic District Saturday, March 15. Organized by the Municipal Arts Society, the tour will explore the area’s history and architecture.
Tickets cost $20 or $15 for Municipal Arts Society members. The tour starts at 2 pm.
WELCOME TO THE INSIDER, Brownstoner’s weekly look at the wide-ranging ways Brooklynites renovate and decorate their living spaces. Written by Cara Greenberg, you’ll find it here Thursdays at 11:30.
PETER HASSLER is not most people. Certainly not in the way he’s set up his 1892 bay-windowed brownstone. “Most people,” he says, “put the kitchen on the parlor floor, and I understand the reasons. But I wanted to stay as true as possible to the original layout of the house, and keep the kitchen where it was originally,” at the rear of the garden floor. “That allowed me to have two massive rooms on the parlor floor that you could have a ballroom dance in.”
A web designer recently embarked on a partnership with Design Vidal, an LA-based company expanding their interior design and renovation services into the New York area, Hassler bought the 18-foot-wide house some nine years ago. He accomplished most of the reno in a year-long push, including stripping and refinishing all the luscious woodwork and parquet floors, rewiring and replumbing the entire house, and putting in new heating and water systems.
He decorated mostly with modern pieces. “I wanted to let the best of the house shine through, while creating a bright, airy space,” Hassler says, “using clean lines, geometric shapes, and solid whites and blacks to contrast with the original detail.”
Hassler shares the lower duplex with Dahn Hiuni, a visual artist, and rents out the two floors above. He worked with an architect on finalizing drawings and filing them, then hired a crew and oversaw the construction himself. Besides the two huge bedrooms on the parlor floor, there’s a new half-bath in what used to be a closet. On the garden level, the living room sits between the kitchen at the rear, with a full bath in an extension next to it, and the dining room at the front of the house.
See and read more after the jump.
Photos: Patrick Mulcahy