Ah, that old Queens lament: So little time, so many unique, inspiring concerts to attend. On Friday, Bernadette Morris will perform at the New York Irish Center. A rising star on the Emerald Isle, this Belfast-based talent has spent 25 of her 32 years on stage and/or immersed in music. She offers a fresh take on traditional Irish folk songs, singing in English and Gaelic and playing a mean fiddle.
After the concert, attendees should go right to sleep so they are rested for two Sunday concerts by Face the Music, the country’s only youth ensemble that is dedicated to the creation and performance of classical music by living composers. Over the past decade, this group has grown from an after-school club of eight kids to a band with 135-plus people from all over the Tri-State Area who convene every week to write, rehearse, and perform together. On this date at the Queens Museum, they will tackle Michael Gordon’s Trance, which is rarely performed because of its size (22 players needed), length (52 minutes), and difficulty (it’s been described as “classic music on the way to a heavy metal meltdown”). More details and another photo are on the jump page.
As its name suggests, the Noguchi Museum displays sculpture, furniture, ceramics and other pieces by Japanese-American artist Isamu Noguchi. But this weekend, the Long Island City venue dabbles into everything from architecture to film to live music. On September 6th, Noguchi extends evening hours as it always does on the first Friday of each month and offers a pay-what-you-wish admission policy. At 6 pm, the museum facilitates a conversation around a single work of art, followed by a screening of 16 Acres, which explores the Ground Zero rebuilding effort. Presented with the Architecture and Design Film Festival, the movie tells the behind-the-scenes story through a series of first-person narratives, but without any narration. On September 8th, Noguchi hosts the summer’s final Music in the Garden event with Mantra Percussion (above) performing Michael Gordon’s Timber, a full-length concert composed for six percussionists playing on amplified two-by-fours using mallets and fingertips. The concert is offered in collaboration with Bang on a Can/Cantaloupe Music, one of the world’s best recognized ambassador’s of contemporary music.