Pattern Play: Creative Family of Four Makes Warm and Colorful Home in Central Brooklyn


    People love to make dire pronouncements to soon-to-be parents. They’re usually some version of you’ll never sleep again but one I remember particularly well came from a visitor to our home taking in all the bric-a-brac and declaring that, obviously, we’d soon childproof and redecorate ourselves toward respectable, parental blandness.

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    The narrow stairs have a very tight turn, which made moving in an adventure. The antique buffet is by Baker; the stained glass light is by Friend of All

    I’m happy to report that’s nonsense (so is the stuff about never sleeping again; you adapt!). Yes, when my husband David and I became parents, in 2009, and again in 2012, many things changed. We slept less, we missed most of American pop culture, we stopped buying the Sunday newspaper. But we remained ourselves, and our home remained a reflection of those selves. Parenthood changed our life, but it didn’t change our style.

    interior design ideas brooklyn david land rumaan alam

    The desk lamps belonged to David’s paternal grandfather, as did the desk chair, originally part of a dining set. The painting on the desk is by Rumaan, when he was a teenager; above it is a Jenny Holzer wooden postcard, an oil by Jas Knight, a pencil study by Katherine Mitchell, a watercolor of a whale by Simon, painted when he was 3 years old, and a mixed-media piece by the artist Marilyn Holsing. The Princess Diana doll was found at an antique store in Ohio; Diana appears in Rumaan’s second novel, That Kind of Mother, due out in May

    We rent a charming brick house in a quiet neighborhood in central Brooklyn. Because the house is where we both live and work, and because parenthood entails a lot of time spent at home, we’ve tried to make it truly ours. We are tenants, so the process of adapting the house to suit our lives has been mostly via decoration rather than renovation, but we’ve learned that even if construction isn’t an option, you can accomplish a lot via the cosmetic.

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    Our moving expenses consumed most of our budget, but I think that’s for the best; we spent a year in the house before we made any kind of change beyond fresh paint. But that period helped clarify what it was we wanted from our living space. We knew we wanted color, to help brighten up all the wood. We wanted lots of pattern, because those are forgiving when 50 percent of the household is prone to spilling or spitting up. And we wanted to showcase the art and other things we’ve collected over the years even if they were unwieldy, or odd, or didn’t complement one another.

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    Two revolutionaries, George Washington and Jean-Jacques Dessalines, watch over the dining room

    David is a photographer who specializes in interiors; he travels the country visiting flawless residences where every last detail has been carefully thought through by talented and experienced designers. I’m a writer and though I focus now on writing fiction, before this I wrote for magazines, most often about interior design. Our trades have given both of us an understanding of and respect for the work of design professionals. We accept that there are rules of good design, but in our home, we weren’t that interested in following them.

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    The campaign chests belonged to David’s maternal grandfather; the oil painting on top is a self portrait of his paternal grandfather. The pineapple lamp is from Horchow, and the framed pieces on the wall are pocket squares by the Philadelphia-based fashion label Ikiré Jones

    Our front door leads right into the living room, so we wanted that space to announce its intentions immediately — we wanted it to be clear what kind of house this is. The palette is sort of rooted in the primary colors — the yellow of the coffee table and the pineapple lamp, the red of the rug and the upholstery, and smaller touches of blue — but we weren’t rigorous about sticking to only a few hues. The effect of all that color is a happy one; it’s a room (and hopefully a home) that doesn’t take itself too seriously, a space where the adults can have cocktails while the kids play.

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    A gallery wall in the living room helps hide the TV screen

    The gallery wall (once quite fashionable, now less so, I think) was the ideal solution for us, a way to share our collection and disguise the unsightly television screen. With art and everything else, we collect pretty broadly, and each piece here and throughout the house has a fond memory attached, from the factory portrait of Lenin (a souvenir from the Republic of Georgia) to the animal paintings on scrap tin, made as decorations for rickshaws (a souvenir from Bangladesh) to the Matthew Barney-designed menu from the now-shuttered restaurant Chanterelle.

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    The kitchen gets a lot of use, so it’s been kept deliberately simple. The room gets the best light in the house, so the plants thrive there

    I spend a lot of time in the kitchen (the one room in the house we did renovate, thanks to IKEA and our landlord) and the rest of the family spends a lot of time in the dining room adjacent; it’s where we eat, do homework and art projects, read books, and play Legos. Here the art — a collection of interpretations of Gilbert Stuart’s famous portrait of George Washington — helps the formal room feel a little less serious (the pink dining table and the many toys underfoot help too).

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    The inexpensive mid-century table was found on eBay; it was painted hot pink. The dining chairs are Paul McCobb. The collection of George Washington portraits was assembled at junk shops and on eBay. On the other side of the room, pictured at top, the glass fronts are covered with a remnant of an old Schumacher toile

    Yes, there’s a lot of color and a lot of clashing, but we think the rooms still achieve a certain harmony. In the dining room, the upholstered armchair (one of many pieces David inherited from his paternal grandfather; the matching settee is in our bedroom) may not coordinate with the blue lacquered wardrobe (where we store toys) but who cares?

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    The bed is by DwellStudio; the bedding is by Safe House USA. The vintage brass mirrors were found on eBay, and the wicker bench is from Target

    The upstairs rooms where we sleep are less exuberant than the downstairs ones where we live. We wanted the master bedroom to feel quiet and understated; it’s a cliché but we chose a velvet upholstered bed and soft linens like you’d find in a chic hotel. The boys share a pretty small bedroom, but we still used big statements like the yellow dresser and the colorful wallpaper. My office is also small (and doubles as the dressing room) but despite the modest square footage we hung a vibrant wallpaper and lots of art; I find it soothing to be surrounded by beautiful things when I’m working.

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    The dresser is from Gothic Cabinet Craft; it was painted yellow. The wallpaper is by Chasing Paper. The banner is by Rayo & Honey, the wooden elephant is by Matt Austin, and the metal pot, used for storing toys, is Moroccan

    That’s actually a fair way to sum up our whole approach to design. David and I share the belief that the things we live with need to meet only one criterion: that we love them. Instead of worrying about baby proofing or making things kid friendly, our priority is making a house that’s fun and colorful and for all of us, parents and kids. Yes, our home contains a lot of mixing and not much matching, but we wouldn’t have it any other way.

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    [Photos by David A. Land | Styling by Jerrie Joy]

    Editor’s note: A version of this story appeared in the Spring/Summer 2017 debut issue of Brownstoner magazine. To inquire about advertising opportunities for the Fall/Holiday issue, click here.

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