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SOMETIMES A GUT JOB is the only answer, as was the case with this 15-by-44-foot four-story row house in Bed Stuy. It had been ripped apart by a developer and then abandoned during the recession, even becoming home to squatters for a time.
“It was a total wreck. There was nothing at all worth saving,” says Gitta Robinson of Brooklyn-based Robinson + Grisaru Architecture, the firm hired by new owners to transform a shell into a home.
Brick party walls and wood joists were practically all that remained. At least the joists were in decent shape.
The architects decided to keep them uncovered on the two lower floors, to add ceiling height, and painted them white. Exposed brick was likewise kept exposed.
“There was a debate on whether it would stay natural or be painted white,” Robinson recalls. Natural won.
Where a chimney breast was removed in the dining area at the rear of the parlor floor, above, the void was patched in with mortar. The homeowners — he is a graphic designer and she a landscape designer — loved the effect and kept it, even matching the mortar treatment on the rear wall of the parlor floor.
In a bold design stroke, the architects removed 2.5 feet of flooring at the rear of the parlor level, creating an open two-story slot that connects the garden and parlor floor acoustically and lets in extra light. Ideally, the architects and homeowners would have liked to replace the whole back wall on the two lower stories with glass, but a tight budget prevented it.
Instead, they created a big glass opening on the lower level only and retained the two original window openings on the floor above, where they frame views of the garden.
As a neutral foil for the homeowners’ constantly rotating collection of mid-20th century furnishings, walls and ceilings throughout most of the house are white (Benjamin Moore’s Super White, to be exact), and the new oak floors have a white pickling stain.
See and read more below.
Photos by Catherine Tighe
High-end Sugatsune drawer and cabinet hardware elevates IKEA cabinetry in the kitchen. The custom island is wrapped with CDX exterior grade plywood for a rustic character; countertops are Caesarstone ‘Blizzard.’
Cement tile from Spain, in a modified checkerboard pattern, decorates the front of the island and the wall behind the stove. Porcelain floor tiles match the concrete pavers in the backyard in both size (2 by 2 feet) and color; they’re even lined up in the same grid pattern for a seamless transition between indoors and out.
Simple steel stairs, designed by the architects, were fabricated locally and painted white. The architects decided to forgo a vestibule at the parlor level entry.
A living area kitted out with a collection of vintage mid-century furniture and lighting occupies most of the parlor floor.
The third floor contains the husband’s graphic design studio, above, and a bedroom for the couple’s college-age son.
A bathroom on the third floor, with a new Duravit tub and Spanish concrete floor tiles, is one of three new bathrooms in the house.
The master bedroom, master bath, and landscape design office are located on the top floor, where there’s a new elongated skylight reminiscent of a Paris garrett. A yellow ladder leads to the roof.
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