On a late September afternoon in 1918, a behatted gentleman dressed all in white began inching his way up the Soldiers’ and Sailors’ Memorial Arch while a crowd of onlookers gazed up at his antics from Grand Army Plaza. Known as “The Human Fly,” daredevil Harry H. Gardiner safely reached the top of the arch that day, unfurling a flag and placing it on the sculptured chariot.

human fly
Photo via the National Archives

The ascent wasn’t a random whim, nor was the monument the only Brooklyn structure he climbed that year. Harry Gardiner launched his career as a climber around 1903, scaling buildings across the country with just his bare hands and rubber-soled shoes. In the summer and fall of 1918 he made multiple appearances in Brooklyn, amusing crowds with climbs up Borough Hall, an apartment house in Brownsville, the Brooklyn Daily Eagle building and a tower at Steeplechase Park. Most of his Brooklyn appearances were aimed at creating a spectacle to help in the sales of stamps and bonds for World War I.

human fly
A detail from a photos showing Gardiner unfurling a flag at the top of the arch. Photo via the National Archives

This included his monument climb in Grand Army Plaza on September 28. It was part of two days of activities to launch the Fourth Liberty Loan Drive in Brooklyn. After speeches by local dignitaries, all eyes strained to catch a view of Gardiner’s ascent up the momument. The Brooklyn Daily Times had predicted thrills were in store for the crowd because of the monument’s smooth surface. No drama was reported by local press the next day, although the Daily Standard Union did say he ascended “amid the tumultuous applause” of the crowd. Once he had planted the flag, a parade of regiments from Brooklyn armories began their march.

Photographer A.J. Vorhees was on hand that day and captured Gardiner’s ascent in a handful of shots held by the National Archives. In one, the 45-year-old daredevil appears to be acrobatically swinging from one hand, surely to stir up the drama. Gardiner continued making appearances across the country until at least 1929, according to newspapers of the time, before disappearing from the public stage.

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