Architecture

Building of the Day: 271 Ninth Street

Editor’s note: An updated version of this post can be viewed here. The BOTD is a no-frills look at interesting structures of all types and from all neighborhoods. There will be old, new, important, forgotten, public, private, good and bad. Whatever strikes our fancy. We hope you enjoy. Address: 271 Ninth Street, between 4th and…

Photo via nyc architecture

by Suzanne Spellen

11/30/2010 20

Editor’s note: An updated version of this post can be viewed here.

The BOTD is a no-frills look at interesting structures of all types and from all neighborhoods. There will be old, new, important, forgotten, public, private, good and bad. Whatever strikes our fancy. We hope you enjoy.

Address: 271 Ninth Street, between 4th and 5th Avenues
Name: Former William B. Croynyn House, now Slope Music and residence
Year Built: 1856-57
Architectural Style: Italianate/French Second Empire
Architects: Patrick Keely
Landmarked: yes, also on National Registry of Historic Places

Why chosen: The first time I passed this house, I couldn’t believe it was there, nestled between its neighbors, a bright spot of color amidst some flats buildings and the Van Brunt Post Office. How absolutely cool! The history of the house is equally interesting. It was designed by Patrick Keely in 1856, probably one of his first commissions. He would go on to be the most prolific Catholic church architect on the East Coast, designing hundreds of churches in NY, CT, and Massachusetts. At the time, Park Slope was suburbia, and country villas of this kind were built as retreats for busy successful businessmen like Croynyn, who was a successful Wall Street man. The house remained in the Croynyn family only until 1862. By 1898, nearby 4th Avenue had grown up as a commercial street, and the location was perfect for Charles Higgins to establish his Higgins Ink Company offices and factory. The factory was located directly behind the house, and today is housing. In addition to his very successful, (and still going strong) ink business, Higgins was responsible for the Minerva statue in Green-Wood Cemetery, and is buried behind her, on the hill. In 1981, jazz musician and teacher Charles Sibirsky and his wife purchased the house, and opened a music school. Architect Eric Safyan restored the entryway and the decorative ironwork cresting, as well as a new rear deck. The house has all of the classic Second Empire goodies: the general shape, mansard roof, the decorative slate tiles, and the handsome cupola. It also has many Italianate elements, especially in the acanthus brackets on the porch and those supporting the roofs of the bays. This is a great house, with a great history, fortunately preserved by Higgins Ink for all of the years when it probably would have been lost, ending in the fantastic restoration by the Sibirsky’s.