My interest in subway mosaics has been re-fired again, as it is every few years. I have a new admiration for the intricate mosaics that were assembled on station walls and signage in the subways between about 1914 and 1928 (after the initial Beaux Arts terra cotta and mosaics done in original IRT stations from 1904 to 1914.
Station appointments and signage from 1908 to the 1930s were developed by architect/artist Squire J. Vickers, who adjusted his approach over time from the florid Beaux-Arts period through a more mundane period in which subway tiling was more direct and informational, through the even more streamlined Moderne stations built for the Independent Subway from 1932 to 1948.
Two underground stations in western Queens (Vernon-Jackson and Hunter’s Point), belonging to the IRT Flushing Line, have acquired more importance in recent years as the surrounding area becomes more built-up. A third station, Court Square, is the site of a recent major transfer construction as the #7 train was united with the IND G, E and M stations.
Both Vernon-Jackson and Hunter’s Point, however, have remained almost unchanged in aspect since 1916, when the stations opened. Most original mosaic tiling is still in place and most exit/entrances are still open. Both stations can be considered living history.
I used to pass these “midperiod” mosaics by, since when you pass on the train, they look somewhat monochromatic. A closer look will dispel that notion. These are works of intricate design and beautifully rendered.
“Earth tones” dominate the Hunter’s Point signplates. The interior is small tiles of brown of varying shades. There’s a thin exterior border, mostly dark brown, but with lightr tiles shown in. And the outside border is light brown and khaki, perhaps some :hunter” green as well. The serif letters — used on both BMT and IRT signs from the era — are mosaicized as well but in different pieces.
I wish a type designer would develop a font based on theBMT/IRT lettering — look at that distinctive “R.”
Very occasionally Vickers would abbreviate a station name on signs by initials especially if the station name was two words. This approach has also been done at the 138th (Mott Haven) station in the Bronx. The signplate colors are repeated here, and also on mosaic strips at the ceiling line. Blue diamonds are interspersed at even intervals along the top. This motif is also repeated, as well as the H.P.’s, on platform pillars. Note that here, periods punctuate the abbreviation, whereas the ones at MH (Mott Haven) don’t.
This mosaic sign, at the entrance staircase, was covered by advertising for many years, but station renovations have revealed it again. At Queensborough Plaza, this line divides into branches going to Astoria (a BMT line) and originally, Corona (an IRT line).
“The Flushing Line (originally called the Woodside and Corona Line) was one of two lines of the NYC subway to have been operated jointly by two different divisions: the IRT and BMT. The line, built by the City of New York, began April 21st, 1917 with IRT trains running between 42nd St / Grand Central and Alburtis Avenue (now 103rd St.), and joint operation with the BMT began in 1923. The line reached Main St, Flushing, on January 21st, 1928. Elevated BMT rolling stock had to be used on this line because platform clearances were built to IRT specifications east of Queensborough Plaza, and the 67′ BMT Standards, as a result, would not fit. BMT wooden cars and IRT steel cars terminated at the underground Main St terminal, but IRT 2nd Ave wooden cars terminated at Willets Point Blvd…
“In the fall of 1949, the joint BMT/IRT service arrangement ended. The Flushing Line became the responsibility of the IRT, and the Astoria Line had its platforms shaved back, and became an extension of the BMT. Because of this, routes through the (then) 8 track Queensborough Plaza station were consolidated and the northern half of the structure was torn down. Evidence of where the torn-down platforms were, as well as the trackways which approached this area, can still be seen in the ironwork at the station.”
In addition, the #7 runs in tunnels originally developed for streetcars in the 1880s by piano magnate William Steinway, who built an entire light rail transit system in Queens in addition to his piano works and workers’ housing in northern Astoria. When the Corona Line (as it was called then) opened to Queens in 1914, the Hunters Point station was the original loop track back to Manhattan. No trace remains as the station was built on top of it.
Shown here entering Hunter’s Point from the west in 1981 is an IRT R-33 trainset. In the early 198os the MTA pursued a brief strategy of painting cars on selected lines pure white, believing this would dissuade graffitist, who of course instead thought of them as blank canvasses. Greater security at trainyards eventually largely solved the problem. These cars were later painted maroon red, which earned them the moniker “Redbirds.” The cars were retired early in the 21st century. The photo is via nycsubway.org.