Williamsburg Multiplex is Rising!



Our pals at Curbed beat us to the punch on this one, but work is moving quickly on what will eventually be the first multiplex in Williamsburg. There’s a new rendering at the site, too, which can be seen on the jump. The theater, on the corner of Grand and Driggs, will have seven screens spread out over three floors and stadium seating. No word on when it’s expected to be finished and open, but the project is moving quickly: Construction work only began in earnest at the site in August.
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Dumpster Project Installation Now on Show in Cobble Hill



The Dumpster Project, a collage/art installation by Mac Premo that was featured at The Dumbo Arts Festival in the fall, now has an installation parked in a lot on Bergen between Court and Smith through early May. This was the description for the Dumpster Project at the arts fest was as follows: “The Dumpster Project is a work of transportable public art. …Fundamentally, though, The Dumpster Project is a physical taxonomy of one man’s existence. A visitor to the installation will walk into a modern-day “cabinet of curiosities”, where objects of nostalgia (i.e. a Yankees cap Mac wore through most of the 1990s) have a place beside items culled from international travels (i.e. the curiously named ‘Long Life’ brand of cigarettes from Hong Kong). Each object will be numbered, and a mobile application will enable the viewer to use his or her smart phone to access a eulogy Mac has written for each item, as well as a studio photograph of the object set cleanly against a white background.” All photos are by Cara Greenberg, who writes writes Brownstoner’s weekly Insider column, and more are on the jump, including some close-ups on featured items! (more…)

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Progress at Theater for a New Audience Build



Construction continues at the Theater for a New Audience, going up on Ashland Place in the BAM Cultural District. Renderings of the 27,500-square-foot, 299-seat theater can be seen here. Work should last until April 2013, with the first season slated for the spring of 2013.
Workers Setting the Stage for New Downtown Theater [Brownstoner]
Renderings for the Theater for a New Audience [Brownstoner] GMAP

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Bushwick Becoming a Gallery District



While the Armory Show and other Manhattan venues having special exhibits this week are getting a lot of press right now, today the Times looks at how a neighborhood across the East River, Bushwick, is becoming the city’s next hot gallery district. The story makes the claim that as “with SoHo, Chelsea and the Lower East Side before it, Bushwick is shaping up as the city’s next gallery district.” The trend has become particularly pronounced of late: “In the last year, more than a dozen art galleries have opened in the industrial neighborhood, taking over rusty factories, Dominican botanicas and auto-parts stores. Some run on a shoestring and feel more like student exhibitions. But blue-chip names like Luhring Augustine are arriving, too, opening satellite galleries that tap into the area’s bohemian mood.” The story charts the neighborhood’s evolution into a destination for the arts, starting with artists being priced out of Williamsburg, continuing with people moving into the McKibbin lofts and, more recently, increasing gentrification via businesses like health food shops and Roberta’s. The article credits Ted Hovivian, who purchased the warehouse at 56 Bogart Street in 1983, with bringing a critical mass of artists to the neighborhood by renting studio space in the building to artists in recent years; in addition to the other galleries that have opened in the neighborhood, the warehouse itself has nine of them.
Next Stop, Bushwick [NY Times]
Photo by hragv

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A Peek at the Progress on BAM’s Fisher Building



We recently took a look behind the construction fence surrounding BAM’s Fisher Building to see how work is coming along. The renovation and expansion of the building, which is supposed to be finished later this year, will result in a 250-seat performance space, a 100-seat rehearsal space, and offices. It seems like the first level still needs some work, but the addition appears to be close to completion. Click through to see another picture.
BAM’s Fisher Building Loses Some Scaffolding [Brownstoner]
BAM! Close-Up on Fisher Building Construction [Brownstoner]
Development Watch: BAM Addition [Brownstoner] GMAP
BAM Breaks Ground on Fischer Building [Brownstoner]
LPC Signs Off on New BAM Performing Arts Building [Brownstoner] (more…)

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New Days of Disco in Brooklyn


[blackbirdpie url="https://twitter.com/#!/Brownstoner/status/164004970574778369"]

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The Hot Seat: Amy Sananman


Welcome to the Hot Seat, where we interview folks involved in Brooklyn real estate, architecture, development and the like. Introducing Amy Sananman, the founder and director of Groundwell Community Mural Project. Groundswell is a Brooklyn-based nonprofit organization that brings artists, youth and community organizations together to create public art projects across NYC. Her head shot is by collage artist Brian Adam Douglas.

Brownstoner: Where do you live, and how did you end up there?
Amy Sananman: I live in Sunset Park, Brooklyn. My husband and I bought a house there a decade ago. It kind of feels like living in the country – especially when our dog caught a rooster that fell into our yard.

BS: What is Groundswell Community Mural Project and how did you come to found it?
AS: Groundswell is a Brooklyn-based nonprofit. Our mission is to bring together professional artists, grassroots organizations and communities to create high quality murals in under-represented neighborhoods and inspire youth to take active ownership of their future by equipping them with the tools necessary for social change. Over the past fifteen years Groundswell has worked with thousands of community members to complete more than 300 collaboratively designed and painted murals across New York City.

In 1996 I was working as a tenant organizer with low-income residents of city-owned properties who were organizing to convert their buildings into cooperatives, which they would then manage themselves. Despite the great swell of activity and organizing occurring within these buildings, the work was indiscernible from the street. I thought it important to bring that community activism from the walls inside to the walls outside. Public art provided the perfect vehicle for showing the swell of activity that came from the core or base of an individual, group or community. Serendipity led me to the great muralist, Joe Matunis, who taught me how to do a community mural and became one of our founding board members.

In the absence of such a group in New York City, a group of artists, educators and activists founded Groundswell based on the belief that there is something unique and powerful about the community mural making process, which combines the sanctity of personal expression with the strength of community activism. Groundswell’s programs are based on principles of individual, group and community development. Collaborating with communities and fostering community activism, we strive to physically and mentally build up the individual, group or community during the making of the mural. A groundswell is a sudden surge of growth or a wave of energy surfacing from beneath the ocean. At Groundswell—we support the energy and stories hidden behind walls to be expressed on the walls.

After the jump, Amy talks about specific Groundswell projects, the effect public art has on the neighborhood and lists a few favorite murals in Brooklyn…
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Closing Bell: Exhibit Opens for Church Ave Mural Contest



Last week an exhibit opened for the Church Avenue BID’s Uncover Church Avenue program. The program will culminate with the installation of murals on commercial gates along Church between Argyle Road and Coney Island Avenue this spring. The exhibit, which is on display at the Flatbush branch of the Brooklyn Public Library through February 24th, showcases design proposals for the gates. The proposals are being voted on by community members. The BID says the goal of the program is to “encourage the development of vibrant commercial activity along a stretch of Church Avenue with the most abundant vacancies.”
Uncover Church Ave [Official Site]
A Mural Contest to Beautify Church Avenue [Brownstoner]
Photos courtesy of the Church Avenue BID

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Brooklyn Heights Cinema Owner on 70 Henry Development



Brooklyn Heights Blog has a post written by Kenn Lowy, who took over the ownership of Brooklyn Heights Cinema earlier this year, about how the landlord of the theater at 70 Henry Street intends to demolish the building and develop a condo in its place. According to Lowy, the cinema’s lease ends on June 30th, but it’s unclear when demolition will start. Lowy says he’s intent on opening the theater in a new location somewhere in the area.
Brooklyn Heights Cinema Owner Kenn Lowy Responds to Possible Closing [BHB] GMAP
Photo by bartek/yetseen

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Ambitous Arts Center Coming to Red Hook



The Times profiled Dustin Yellin’s renovation of a warehouse in Red Hook that the artist is turning into an arts and cultural center. The space will include “a large-scale exhibition hall, an artists’ residency program, a sculpture garden and hosts of visitors for symposiums and public programs.” Renovating the warehouse, which is being called Pioneer and King, is costing Yellin an estimated $2 million. The space is supposed to have a soft opening later this month. The article notes that the scope of Yellin’s ambitions are reminiscent of P.S. 1, and Yellin “sees Red Hook as a kind of anti-Chelsea, its relatively cheap rents and remoteness from Manhattan making it a prime setting for a grass-roots cultural operation.” Yellin hopes that an investor will eventually buy the building and turn it into a nonprofit. Click through for a shot of how the interior was looking as of this weekend.
An Artist’s Big, Big Plans for Red Hook [NY Times] GMAP (more…)

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The Hot Seat: Jennifer Lantzas



Welcome to The Hot Seat, where we interview folks involved in Brooklyn real estate, development, architecture and the like. Introducing Jennifer Lantzas, the Public Art Coordinator for the NYC Parks Department. Jennifer helps decide which art pieces get installed into the city’s parks.
Brownstoner: How did you end up at your job with the Parks Department? What do you do there now?
Jennifer Lantzas: I studied art history and visual arts administration as an undergrad and graduate student, and worked at several galleries and artist studios before I became the Public Art Coordinator and Curator of the Arsenal Gallery at NYC Parks. I work with artists and other arts partners to bring artworks to our public parks around the five boroughs. I also curate Parks’ public gallery space in our Central Park headquarters.

BS: What’s the decision making process behind putting a specific art piece in a specific park? Could you explain how a piece like “The Well” ended up at Cadman Plaza Park?
JL: The location of an exhibition varies with every project, as every artwork demands a different environment. Sometimes the artist or organization wants to exhibit within a specific park, but often we help artists identify locations in the Parks Department that are strong platforms for public exhibitions. [Leonard] Ursachi’s Well was particularly well suited for Cadman Plaza because the majority of the materials were found in nearby DUBMO. Ursachi, whose studio is located in DUMBO, found and reclaimed driftwood that beached along the waterfront, collected water bottles from the neighborhood and even fashioned the blocks that form the Well from a loose cobble stone from when the streets of DUMBO were repaved.

BS: What elements of artwork translate well into the public sphere?
JL: We see our public art program as one of the largest outdoor galleries in the world. Our parks are a stage for established and emerging artists to display their work and reach wider audiences than traditional gallery and museum spaces. While public artworks started out mostly as commemorative sculptures, the public has embraced the idea of art for art’s sake—opening the door for artists to use a multitude of materials, address political and social issues, and create a public dialogue. Our mission is to engage parkgoers and make them reconsider their daily spaces.

After the jump, Jennifer talks about exposing art to the elements, the Brooklyn public art scene, and her favorite public piece in the borough…
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Closing Bell: Art Installation for CHCG


A few days ago I Love Franklin Avenue wrote about an installation coming to the the Crow Hill Community Garden by local company Ground Up Designers. The installation will be in memory of this summer’s shootings in Crown Heights. According to Ground Up, “During the course of the project a canopy made of disposable color-cuffs will grow in the garden to raise awareness for organizations within Crown Heights that are working to end gun violence and hopefully inspire others to get involved. All money raised through the donations of the individual cuffs will go directly toward these organizations.” You can read more about the installation here. ILFA says that a Kickstarter campaign to purchase materials will launch January 16th and the project will be presented at the next CHCA meeting, January 17, 7:30pm at 725 Franklin Ave.
Coming in 2012: CHCA Garden Installation from Ground Up Designers [ILFA]

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Utrecht Art Supply Store Open at Myrtle Hall


As Myrtle Minutes points out, the Utrecht Art Supply Store opened at Pratt’s Myrtle Hall, at 536 Myrtle between Steuben and Grand. Signage first went up here in August. The store is huge, well-stocked and presumably a godsend for nearby Pratt students.
Utrecht Art Supply Store is Open for Biz! [Myrtle Minutes]
Pratt’s Newest Tenant: Utrecht Art Supply Store [Brownstoner] GMAP

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Closing Bell: Make Music Winter Happens Tomorrow


From the Make Music NYC people comes Make Music Winter, happening in the city tomorrow evening. Twelve musical parades are scheduled, proceeding through neighborhoods in Manhattan, Brooklyn, and Queens. Check out all the details here. In Brooklyn, there will be a parade from Grand Army Plaza to JJ Byrne Park with participants carrying boomboxes. The art piece/parade was originally conceived of in France by artist Phil Kline. If you have one, bring a boombox to Grand Army Plaza, but boomboxes will be provided for those without. More information about the parade piece and meetup times are right here. The parade is scheduled for rain or shine.

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30-Foot Sculpture Just Installed in Brooklyn Bridge Park


The Storm King Art Center, Brooklyn Bridge Park, and The Brooklyn Bridge Park Conservancy announced the installation of a 30-foot steel sculpture called “Yoga” by American artist Mark di Suvero at Pier 1. It went in yesterday afternoon. This is the first piece in an an anticipated ongoing arts program at BBP. According to the press release, “[The sculpture] comprises an I-beam—bent into a U-shape—that rocks and pivots on a stainless-steel pole, itself topped by an O-shaped element. The sculpture creates changing shadows and perspectives as the I-beam variously ‘points’ to the harbor, Brooklyn, Manhattan, Governors Island, and beyond, while the ‘O’ may remind viewers of a ship’s portal or a magnifying glass.” It will remain on Pier 1′s Bridge View Lawn for one year.
Photograph by Julienne Schaer

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St. Ann’s Warehouse Finds a New Home in Dumbo


St. Ann’s Warehouse was in a tough spot a few months ago following the ruling that prevented the theater from moving to the Tobacco Warehouse, but yesterday the arts organization announced that it had signed a three-year lease for space at 29 Jay Street. St. Ann’s will be moving to the Dumbo warehouse from its current location on Water Street next year to make way for Two Trees’ Dock Street development. Back in the summer, when the theater didn’t have a new lease, its artistic director said there was a possibility the organization would have to leave Dumbo or Brooklyn all together.
St. Ann’s Warehouse Signs Lease for New Space in Dumbo [NY Times] GMAP

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BAM’s Fisher Building Loses Some Scaffolding


The Richard B. Fisher Building at BAM is looking closer to the rendering everyday. Scaffolding came down on the a six-story addition and construction is expected to wrap spring of 2012. Once finished, the building will have a 250-seat performance space, 100-seat rehearsal space, and offices.
BAM! Close-Up on Fisher Building Construction [Brownstoner]
Development Watch: BAM Addition [Brownstoner] GMAP
BAM Breaks Ground on Fischer Building [Brownstoner]
LPC Signs Off on New BAM Performing Arts Building [Brownstoner]

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Art Collective Uprooting Over Neighbors’ Complaints



The group of artists known as Rubulad that has been throwing popular parties in a warehouse on Classon and Flushing since 2005 is looking for a new home following complaints from Hasidic neighbors, according to the Brooklyn Paper. The article says Orthodox neighbors have “complained about scantily costumed revelers,” so they’re looking for a more welcoming area to throw their parties. One of its founders says the complaints are overblown: “The people surrounding us felt really upset about ‘public nudity,’ which was actually just people wearing shorts.” The group has a Kickstarter campaign going to raise funds for the move to a new space.
Hasids Chase Party Space Out of Neighborhood [BK Paper]

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Workers Setting the Stage for New Downtown Theater


Here’s a fantastic shot, sent in by a reader, of the Theater for a New Audience site in the BAM Cultural District. The groundbreaking was held over the summer, and now the building is showing some steel.
Renderings for the Theater for a New Audience [Brownstoner] GMAP

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New Red Hook Gallery Showcases Traditional Mexican Art



A gallery called Manos de Méxicanos opened this weekend on Pier 41 in Red Hook. Steve Tarpin, of Steve’s Authentic Key Lime Pie, founded the space with his wife, and it’s next door to Tarpin’s bakery. The gallery shows the work of Mexican folk artists, such as Oaxacan ceramists.
Manos de Méxicanos [Official Site] GMAP

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